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Jewlery Photography Part 2

Inside my last article, I went on the difficulties of photographing jewelry and just how difficult it is to get a consistent appear and feel. The one thing that made the biggest difference initially was using a specific lighting tent. This tent measured about 17″ x 17″ x 17″ and was foldable, so very easy to carry from place to place. It offers LED lighting stitched in and four different color backdrops. But this wasn’t the one thing I needed. While it provided a firm foundation to photograph, there was other activities I found it necessary to do. So with Nikon 810c Charger, I went to my client’s jewelry store to setup again. As previously mentioned, the tent made a huge difference and provided me with a basis to be effective from, but there have been other factors I came across created a huge impact at the same time.

Here’s a run down of the things I did so to get consistent images whenever. Firstly, I set my camera to manual mode. By doing this I could possibly specifically ensure nothing would change shoot to shoot. My white balance was adjusted accordingly, and I produced a note of my settings for future use, including how far back my camera was from your tent etc. I just took a photograph using my iPhone to record this create for future use. Secondly, I used a macro tube extension set. This device enabled me to get really close to every piece as a way to capture the maximum amount of detail as you possibly can. The beauty of using an extension set is I was able to input it on my small zoom lens and have the camera further back so I could access the tent easier without having the camera being in how. Now due to extension set, I came across one other issue. My depth of field was dramatically affected and I had the issue of just one section of the piece being sharp, with the remainder out of focus. I truly was required to fiddle using the settings to get rid of this as best I could possibly, so a high f stop number was applied, as well as this resulted in the shutter being open for extended.

The tripod was essential. As was really a remote shutter release control that we purchased. This resulted in a lot better stability and eliminated the camera shake. The final thing I ensured was that we photographed in RAW format so that I had the best image to work with. I found myself set along with the outcomes of my images were a great deal better. They 86dexmpky the high quality you can see in top professional shoots of course, nonetheless they were certainly adequate for a small jewelry store in the city. This was one of many toughest projects I actually have carried out my photographic life. I needed to adjust so lots of things to receive the desired results, and my utilization of Lightroom afterwards played a crucial role in developing the photos. Because my put in place became consistent, my development settings also were consistent and enabled me to use a similar setting to every single photograph. This really is consistency at its finest.

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